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น่าจะเพียงพอแล้วสำหรับ Jazz Guitar เสียงดี สภาพดีและขลังเช่นตัวนี้

Specifications
Body
Design
A carved arched spruce top and maple back, "F" hole instrument with a large body, solid maple rims, single Ventetian cutaway and top of the line cosmetics.

Dimensions
Length: 21" • width: 17" • depth • 3-3/8"

Material
Solid hand carved spruce top, solid hand carved maple back and solid hand-bent maple rims
Binding
Multiple top and back binding

Neck

Nut Width
1–11/16"

Scale
25-1/2"

Frets
20

Neck Pitch
5°

Head Pitch
14°

Materials
Laminated three-piece maple with two thin pieces of walnut

Binding
Single binding w/ side dots

Fingerboard
Ebony fingerboard

Inlay
Mother-of-pearl "Split Blocks"

Head
five-piece maple with fiber veneer

Head Inlay
Mother-of-pearl "Double Diamond"

Machines
Deluxe individual machine-heads, Gold-plated

Bridge

Type
Adjustable ebony saddle

Materials
Ebony bridge with Mother-of-Pearl inlays and contoured base

Tailpiece

Type
Gibson jazz tailpiece, gold-plated with individual string fine tuning. A combination of the TP-6 fine tuning tailpiece and string "pressure" extension arms provide maximum "down pressure" to activate the top.

Pickups

Number & Type
One BJB jazz pickup with special windings. Floating, gold-plated and mounted to the fingerboard.

Controls

Number & type
One miniature volume control and one miniature tone control, both mounted on the pickguard. Pickup and controls pickguard mounted maximize the acoustic integrity of the BJB.

Common settings
Jazz: Front pick-up only with front tone control rolled back slightly. Both volume controls wide open.

Musical/Market Niche

A jazz guitar with a unique pick-up design combined with total body acoustic integrity. An instrument for the jazz "purist"

The BJB Model, Much Rarer than the Standard Super V CES

"Combining the body of the much loved L-5 CES with the neck and longer peghead of the Super 400, the Super V CES is a sophisticated jazz instrument in its own right. Hand crafted from the finest spruce, maple, and ebony, the Super V CES delivers the kind of penetrating attack, enormous projection and full-bodied tone that has been a Gibson trademark since they pioneered the f-hole archtop in 1923. The Super V CES features Gibson's special adjustable finger tailpiece, which allows guitarists to adjust the down pressure on the bridge for each individual string ensuring pure acoustic sonority and constant tension no matter what gauge of strings [are chosen]" (http://www.gibson.com/products/custom/19...ltdr2.html).

The BJB model (1979-1983) is much rarer than the standard Super V CES, which was itself in limited production between 1978 and 1993. Gibson shipping figures are unavailable between 1980 and 1984, but we do know that in 1979 only 43 BJB models were shipped, as opposed to 85 CES models. It is in fact an acoustic guitar with a floating "Johnny Smith" mini-humbucking pickup mounted on the pickguard, with separate volume and tone controls.

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สุดๆไปเลย อยากเจอตัวเป็นๆมากกก

ดูเพลินมากๆ ลูกผสม ของ Super400 and L5 เนี่ย
ดูไปดูมา L7 ของผมก็คล้ายๆกันนะ
ว่าแต่ของพี่ป๋อ Pickguard ทำจากไม้จริงรึปล่าว

ระดับพ่อเต่าแค่L5 ไม่พอต้องSuper5

ตัวนี้คลายรุ่น Johny Smith (versionเป๊ก)มาก ของพี่เขาDecorationแบบ Super400 เดี๋ยวนี้คาดว่าArchtopผลิตจากGibsonได้น้อยมากๆคิวยาวกว่า Masterbuild Fenderหลายๆท่านซะอีก (บ้านเราสั่งมา 3 ปีแล้วยังไม่ได้)

ตัวนี้ได้Skillจากคนขูดไม้หน้าหลังที่โรงงานเก่าKalamazoo เสียงคงจะแจ่มมากๆ

"Introduced in 1979, Gibson's Super V/BJB was a premium grade archtop that combined a number of Gibson' best loved designs.

The Super V offered Super 400 styling on the more manageable 17" body of the L-5C, along with the solid carved body, long scale, parallel bracing, and all gold hardware.

The electric (CES) version of the Super V was built until 1993, but the acoustic Super V/BJB with its floating gold humbucking pickup is a much rarer bird, having been discontinued a full decade earlier after a scant four years in production."